Roy and his friends expose the misdeeds of Sahadevan, a corrupt politician, and soon the friends are found murdered. Later, when Roy dies of an illness, Jayan discovers Roy and Sahadevan's past.

Six confused, dis-oriented cadets in an Indian Army academy face many obstacles, yet stand together.

主角真壁一骑所居住的龙宫岛有着平稳无波的每一天。和青梅竹马的皆城总士和远见真矢他们一同平静的生活，却突然间被破坏了。少年们视为理所当然的和平，实际上只是虚伪的幻影，他们在岛上的平静生活，不过是巧妙地制造出来的假象。袭来的敌人剥去了这层薄纱般的欺瞒之时，少年操纵着巨人，为了保护无可替代的朋友与家人，以及有着深切情感的岛屿。因守护宝物而忘却了心的龙，再次张开了它的獠牙。 　　和平 家族 同伴 　　少年少女们为了这些珍贵的事物，而不断的战斗着。不管什么时候，只要能在龙宫岛上生存下去，便是幸福，即使这是虚伪的乐园，假造的现实，也无法抹灭曾在这岛上生活的人们的珍贵回忆。他们努力着，直到龙宫岛能恢复成真正的乐园那一天。 　　这是属于他们的既悲伤又欢喜的故事。

The loss of youth and innocence can be played for comedy or tragedy. The stunning black-and-white cinematography and hypnotic electric guitar that fill "Left Foot Right Foot", as portentous as they are beautiful, are a pretty clear indication which side of the coin photographer Germinal Roaux intends to focus on in his first feature.

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

一天，Festum突如其来袭击了龙宫岛被问及“你在那里吗…”的那一天起回溯到1年前。比总士、一骑等人高一年级的前辈将陵僚等人就读的龙宫岛中学，举行了错季的「毕业」典礼…。是的，那正是等待他们的命运之序章…。

一天，Festum突如其来袭击了龙宫岛被问及“你在那里吗…”的那一天起回溯到1年前。比总士、一骑等人高一年级的前辈将陵僚等人就读的龙宫岛中学，举行了错季的「毕业」典礼…。是的，那正是等待他们的命运之序章…。

SuperM全球首个线上专用演唱会于26日精彩呈现，开启演唱会新未来！SM娱乐与NAVER联合推出的“Beyond LIVE”首次公演吸引了地球村音乐歌迷！全世界109个国家与地区共同观看的充满感动的线上演唱会！逼真的老虎、竞技场等AR，吸引视线。

SuperM全球首个线上专用演唱会于26日精彩呈现，开启演唱会新未来！SM娱乐与NAVER联合推出的“Beyond LIVE”首次公演吸引了地球村音乐歌迷！全世界109个国家与地区共同观看的充满感动的线上演唱会！逼真的老虎、竞技场等AR，吸引视线。